Release Date: September 13, 2011
It’s 1977, and somewhere in the quiet woods of Gunflint Lake, Minnesota, lives Ben Wilson. His mother has just died, and though his aunt and uncle welcome him in, he just cannot seem to feel at home. Something is missing. When he finds a 12-year-old clue about his father, Ben decides that the search for that mysterious man is the answer to all of his empty longing.
Flash back to Hoboken, New Jersey, 1927, where the story of a young girl is depicted only in pictures – or is it? Rose lives her life shut away in her home, and she, too, is longing. Longing for something . . .
The collision of their worlds will leave you speechless.
Summary is not something that suits this book, really, so apologies for my somewhat cryptic attempt above. That’s because the storytelling in Wonderstruck is utterly unique. I did not realize, when I sat down to read it, that I was embarking on a sensory journey that would leave me mystified and in awe. Needless to say, the book’s title was chosen well.
Subtle and unobtrusive, it nevertheless defies all of the rules about reading that I – unwittingly – have always taken for granted. Text is text, right? Pictures are pictures, right? Wrong.
Selznick has created a masterpiece wherein the line between letter and sketch gradually blurs into one unified experience.
Like its similar, but intrinsically different sibling, The Invention of Hugo Cabret (movie directed by Martin Scorsese out Nov 23!!), Wonderstruck is a revolutionary publication. (I can’t quite bring myself to call it a “text.”) It will alter the way you look at and define “books.”
So much more than a picture book, this story can’t simply be read: it has to be experienced. I highly recommend.
(P.S. Don’t be daunted by the page count – the balance of text and illustrations make it a fairly quick read.)