Booknotized

A place to think, reflect, and talk (mostly to myself) about books I love…and a few that I don't.

Series Review: The 39 Clues February 27, 2012

Publisher: Scholastic
Release Date: 2008 – Present
Series: The 39 Clues 1-10; The 39 Clues: Vespers Rising; The 39 Clues: Cahills vs. Vespers 1-3+
Age Group: 9-12
Genre: Action-Adventure
Pages: various (from 150 – 327)
Source: provided by publisher as reference for freelance work (see below)
Rating Breakdown: Idea 5★; Execution 3.5★

Amy and Dan Cahill are just two regular kids. Amy’s shy and quiet; Dan’s rowdy and hilarious. Except for their grandmother, Grace, they have no family—that they know of—and when she dies, it seems they really are on their own…
 
…until Grace’s will reveals that not only are they part of a larger family, but it’s, well, HUGE! (Not to mention the most powerful in human history.) But before Dan and Amy can get too cuddly, they also find out that there’s a family feud stretching all the way back to Gideon Cahill and his quarrelsome kids in the 1500s that splits the Cahills into four branches. What’s more, they discover that a secret formula lies at the root of the feud—and it’s up to them to find all of the clues before anyone else can.
 
Book 1, The Maze of Bones  by Rick Riordan, sets the siblings off on a globe-trotting trek to uncover Gideon Cahill’s greatest secret. Filled with action, adventure, geographic thrills, and spine-tingling chills, the series continues in the 9 following volumes, each written by a different author (incl. Gordon Korman, Patrick Carman, Jude Watson, Linda Sue Park and several more).
 
Dan and Amy’s story picks up again in series two, Cahills vs. Vespers, with an intermediate novel to bridge the gap, Vespers Rising. I recommend beginning with series one, book one, and working your way up. So far, only two books have been published in the Cahills vs. Vespers series, with book three, The Dead of Night, due out March 6.
 
_________________________________________________________________________________________________________________
 
I was first introduced to the 39 Clues when I was asked to participate in the creation of some materials for a webcast featuring Ruth Culham—with whom I worked closely on the Scholastic Traits Writing program—and the 39 clues. (You can find the materials I helped generate here.) The webcast and worksheets were designed to get kids examining text and excited about writing by introducing them to the Traits and helping them discover in favorite/familiar books models and mentors for their own work.
 
While I didn’t have to read them all, after book one I found I had quite a fondness for Dan’s quirky character and Amy’s burgeoning sense of self-confidence. Their characters are really lively and well done—and despite the variety of authors, surprisingly consistent. I wound up reading 6 of the 10, and was pleased to revisit their world in the second series this past January when I was asked to participate in another related project.
 
The idea is really stellar and complex (despite some implicit/inadvertent eurocentrism) and the adventures are fun—the pace is nothing if not quick. Historical figures, bits of world cultures and geographic trivia are laced innocuously throughout. I was surprised myself, after the fact, to reflect on how much I had accidentally learned from the series about peope, places, and things I had thought I was quite knowledgable about. Coupled with the interactive website, there’s a lot for unsuspecting reluctant-reading minds to glean.
 
The writing is simple, fairly transparent, and there’s a somewhat “Nancy Drew” quality to Dan and Amy’s sleuthing and often predictable resolutions (which is one reason I didn’t press on to read the final four titles). But the series mixes it up – not always allowing Dan and Amy the spotlight OR the victory outright. Because the Cahill family is so large, there is a vast cast of multicultural characters to meet (though none of them is ever very deeply developed) and the 3rd-person perspective switches up regularly, providing lots of twists and turns.
 
Not deep or heavy by any means, often overly simple for the older reader in me, these are nonetheless fun, light, catching reads that could serve for the kid-at-heart as a good buffer between dark apocalypses and epic fantasies. Something like Spy Kids meets Carmen Sandiego turned print—though generally less cheesy and far more complex. The books had me clue-hunting right along with the Cahills, curious to find out how it would all wrap up in the end.
 
I definitely recommend these book for the 9-12-ers—who I’ve witnessed can get really NUTS for these things!—as well as for the adventurous 13+(+++)-er.
 

 

Book Review: Rotters by Daniel Kraus February 9, 2012

Publisher: Delacorte
Release Date: April 5, 2011
Series: stand-alone
Age Group: Solidly YA (warning: violence, gore, language, sexual content)
Pages: 464
Source: purchase
Genre: (macabre) Realistic Fiction (some say “horror” but there’s no real fear angle, so I don’t think that truly fits)
Rating Breakdown: Idea 4★; Execution 3.5★

 

★★★★

Joey lives a sheltered life. His mother fulfills all of his needs, and it seems Chicago fulfills all of hers—they never, ever leave the city. But when a tragic accident sends Joey to a remote town to live with his father, he finds he has a lot to learn about life…and death.

Before he knows it, he’s been drawn into a macabre underworld that thrives on decay: a secret society of graverobbers. And, as much as his own accumulating stench and his father’s mysterious reputation as a “garbage man” isolate him from the insular, closed-minded society of Bloughton High, they might eventually be the very things that draw him back in.

___________________________________________________________________
 
The pros…
 
This book starts with much promise. I didn’t realize just how long it had been since I had sunk my mental teeth into truly high-quality writing, until I finished the first few pages of this book. I was immediately hooked.
 
The style is what I can only describe as “piecemeal” in a most clever way—each sentence requiring more than your average bit of thought to process. Sometimes information precedes itself—if you know what I mean—and then unravels in the following sentences. For instance, my favorite passage in the book is the description of a girl—only, you’re halfway down the page before you fully understand what or whom it’s talking about. When it finally clicks, however, it’s a truly satisfying sensation.
 
Elements like that, combined with some truly unusual and refreshingly insightful details really put you behind the narrator’s eyes—you’re right there with him and it’s visceral. When it comes to the gory bits—and OH are there some gruesome passages!—it can be shocking, as well it should be. I won’t lie: I found myself on the subway closing my eyes and massaging my temples, or just gaping in horror at the page (and being gaped at in return by my fellow passengers) after happening unawares upon particular moments. And they are well placed for just such effect. Because not all of the related scenes contain descriptions of what Joey sees in the coffins, you never know when one will jump up and gum you to death. And, don’t be surprised if they stick to you for a while, either. (I confess, I eyed my roasted sweet potatoes warily last night when one of the mushier pieces smeared across the pan: unwillingly found myself thinking about how it had once been “alive”…)
 
If you’re like me, it will also be those lingering images that prompt a reconsideration of life, death, and mortality, and not Joey’s haphazard and drawn-out goose chase of the subject. As with the sweet potatoes, I can’t help but be constantly reminded of how dualistic life is. No matter how much we remove it from our everyday sight, package it in cellophane, and smother it with sweet-smelling euphemisms, death and decay are inextricably intertwined with life. They are two inseparable sides of one coin. And, the unabashed promotion of this realization is the true strength of this story.
 
The cons…
 
However, the book’s faults are intertwined with its assets, to some degree. Joey’s character, though the stream of his thoughts are belabored, didn’t ever solidify for me. Dimension was given to the smallest details outside of him, but the inside remained opaque. And similarly throughout the book, the evocative style, while excellent when it had something to focus on, wasn’t pared down enough when it didn’t. When combined with a multitude of meandering (sometimes superfluous) twists of plot, it resulted in a really drawn-out story. I put the book down more than once wondering if it would ever end. Without a doubt, the manuscript could have used a good strong structural edit to scrub some of the excessive prose and unnecessary scenes. (For example, I think more than one run-in with “Baby” wasn’t really necessary. They could have been combined and made more effective. Or, a more willing and resolved embrace of the book’s Jeckyll and Hyde undertones would have made the plot as clever as its metaphors.) Alas, this wasn’t done, and without the masterfully gruesome detail, many of the story’s finer points would have been lost in the overabundance. (I know: pot calling kettle!)
 
Finally—and herein lies my biggest criticism—while this book doesn’t try (or succeed if it did) to be anything other than macabre realistic fiction (despite the fact that the world of the “Diggers” is other, it’s not paranormal), the ultimate villain is absurdly unrealistic. Everything else in the book I could buy, and to strong effect; but that guy’s purported feats—especially his nothing-short-of-miraculous reappearance at the end—were not only surprising and disappointing, but truly irritating.
 
The final word…
 
Overall, however, Rotters is an utterly different, refreshingly nuanced, and excitingly complex read. Though I found the final third of the book lost its way, and am not sure that I gained much from the last 150 pages that I hadn’t gotten from the 300 preceding it, the provocative look at mortality that was offered up so starkly and unapologetically until that point made it worthwhile to finish. Until Hyde took over, I couldn’t help thinking of it as the (less svelt) YA version of Cormac McCarthy’s Child of God.
 
But, if the mark of good literature is that it changes you somehow, alters your perspective in some way, then I’d give this one a solid vote. Whatever my gripes about the wandering plot, I will never look at rotters (the living or the dead…or the vegetable), in quite the same way again.

 

Influential Book of the Month: The Iliad by Homer January 11, 2012

 

 

The Iliad by Homer

 

Written around the 8th Century BC, this epic Greek poem about the
Trojan war has influenced countless classic authors with its tragic
and quintessential tale of hubris, love, and war. With hunks like Achilles
and Odysseus, hotties like Helen, and powers that be like Ares, Apollo,
and Aphrodite, it’s no wonder this book is also prime inspriation for
today’s YA otherworldly writers.

 

Known Progeny:

Goddess of Yesterday by Caroline B. Cooney
Nobody’s Princess and Nobody’s Prize by Esther M. Friesner
Troy by Adele Geras
Starcrossed by Josephine Angelini
The Memoirs of Helen of Troy by Amanda Elyot
Achilles: A Novel by Elizabeth Cook
 
 
 
 
 

Check out the IBoTM page for more titles that have helped shape today’s YA landscape.

 

Know of another bit of offspring from any of these books that isn’t listed here? Email it to me at booknotized[at]gmail[dot]com!

 

 

Book Review: Cinder by Marissa Meyer January 9, 2012

 
Publisher: Macmillan
Series: Lunar Chronicles (Book 1)
Age Group: YA (totally clean)
Release Date: January 3, 2012
Pages: 400
Source: NetGalley and Giveaway from Amanda at Diary of a Book Addict
Genre: Scifi + Post-Apocalyptic
Rating Breakdown: Idea 5+★; Execution 3+★
 

★★★★

Cinder is a cyborg—which in her society means barely human. Somewhere in a past she can’t remember, there was an accident that left her parentless and a surgery that gave her a foot and a hand she doesn’t want, but can’t live without. Her one glimmer of hope came in the form of a scientist from the Eastern commonwealth—a conglomerate of countries united by the emperor sometime after the devastating WW4—but was dashed before she even know about him, when he died of the Letumosis epidemic.
 
Now, stuck with a stepmother who hates her, working as a mechanic to pay bills that aren’t her own, in a country swept by plague and threatened by war from the psychotic Lunar queen, Cinder only dreams of escape.
 
And, then the Prince walks in.
 
__________________________________________________________________________________________________
 
First off, you must read this book. It’s great. You’ll enjoy it, I guarantee. It’s overall tightly written, fast paced, and unique. I was drawn to the cover at first sight and couldn’t put it down!
 
But, as a connoisseur (hah!) I am truly on the fence about it. As a reviewer, I feel compelled to tell the whole truth and nothing but. So, while on the one hand it was a thrilling read, it has its flaws.
 
I love the concept—very original. Instead of a technologically backwards future of the sort we’re used to seeing in today’s post-apocalyptic or dystopian novels, this one is very techno-savvy. Reminded me of Westerfeld’s The Uglies in its tenor. Hover cars are all the rage, and human beings survive historically fatal or utterly disfiguring injuries because of extreme advances in surgical prosthetics.
 
Fairly logically-advanced versions of the internet, computers, and televisions are the main form of communication and entertainment, which helps tie nicely into the present-day world.
 
The commonwealth, and its emperor are situated in Asia, in a city called New Beijing, making this the second book to allude to fears of China’s rise to world power. However, unlike some, this book doesn’t see that as a bad thing. The Emperor and his family are just, fair rulers, and peacefully cohabitate with other ruling bodies—except those on the moon (yup!).
 
Instead of climate change, and/or oil shortage being the cause of the apocalypse (both of which have been almost overdone these days…), it’s international conflict that spawned both destruction and peace between Earthen countries. Unchecked greed and power hunger is the reason for the latest threat from the mutated inhabitants of the moon—and their mind-controlling queen.
 
Up until that point, everything was great. But, the mind control was where the book started to get under my skin. I found it to be too convenient, cheesy, inconsistently implemented, and ineffective.
 
Similarly, though I appreciated the attempt to align this with the original Cinderella story, a few of the plot elements at the end were too forced. This is a problem I have with a lot of fairytale re-imaginings: they don’t seem to realize you can pick and choose which elements to include—and even then, you can bend them a little to fit your setting. This book tried too hard to get them all in…and didn’t bend or wield them skillfully enough to fit. For one, the “carriage” (an old rusted out automobile) was a potentially really intriguing twist that just didn’t deliver and faded out as abruptly as it appeared. More importantly, however, the ball was just totally out of place, in my mind. Not only was it a virtual impossibility (all the citizens of one major city invited at once?), but then, why such an outdated ritual in full 17th century style was the one tradition that held over from the old to such a futuristic world wasn’t explained. It wasn’t the right scene for the confrontation, and as a result, the final scenes were just not cathartic enough.
 
As for characters, the evil queen wasn’t very believable—her dialogue made me chuckle at some points. And, last but not least, Cinder just wasn’t a decisive or confident enough character for my taste. Why she waited so long to work on the Prince’s robot—meanwhile the dropped hints and reminders of its import were abundant—I just couldn’t figure out. And her two obsessions—her own imperfection and escape—were overdone to the point of threatening the story not only plot-wise, but overall by making her slightly annoying.
 
That said, however, I really enjoyed the concept and the world, and will definitely be looking out for book 2—which I hope will benefit from its freedom from the original story and license to do fantastic things with a fantastic concept.

 

Calling All Cassandra Clare Fans –> Clockwork Prince #Giveaway! November 23, 2011

 
 

At BEA this past May, I accidentally got into a line for a very special set of items.

I didn’t realize until after I just what I had stumbled upon:

 

Instead of keeping them to myself (which wouldn’t be very nice!), I’d like to share the love.

Clockwork Prince – vol. 2 of Cassandra Clare’s much-anticipated Infernal Devices series – is out in just two weeks!

 

I know that some of you are just itching to read chatpers 1-3 ahead of the game…
and to proclaim your affection by sporting this collector’s t-shirt.

(You know who you are!)



 
 

Priority mail shipping on this to any state in the USA (sorry, no international), so you’ll be sure to have it right away.

Here’s how it works:

1. Like Booknotized on Facebook = 1 point
2. Follow Booknotized on Twitter = 1 point
3. Tweet about it (be sure to tweet @Booknotized) = 1 point for every tweet
4. Share Booknotized or this giveaway on Facebook = 1 point for every share
4. Subscribe to Booknotized via email (see right sidebar) = 1 point
5. Find a book review on this site that you enjoy and leave a thoughtful comment = 1 point for every comment
6. Leave a comment on this post = 1 point

 

Tally up of your points and email them to me along with your twitter/facebook handles so I can track your points.

 

booknotized[at]gmail.com

 

Ends at noon on Monday the 28th.

 

I’ll announce the winner via Twitter that evening and contact them via email.

 

Have fun!

 

 

Official #HungerGames Movie Trailer…WOW! November 14, 2011

I. have. chills.

 

Book Review: 13 Little Blue Envelopes by Maureen Johnson

Filed under: Action-Adventure,Books,Realistic FIction — Booknotized @ 12:30 pm
Tags: ,

Publisher: Dial
Release Date: August 23, 2005
Age Group: YA (sexual innuendo/references/discussion)
Sequel: The Last Little Blue Envelope
Pages: 336
Rating: Idea 3.5★; Execution 3.5★
Genre: realistic fiction; travel/adventure

★★★1/2

Ginny has never been much of one for adventure, but all of that changes when the receives a letter from her dead aunt Peg, and finds herself whisked off halfway across the world. Leave it to aunt Peg to cook up some crazy scheme—that was her m.o. in life—why should it be any different just because she’s…gone?

So, armed with only a backpack, some cash, and a handful of consecutively numbered envelopes from her aunt, Ginny sets out on a wild, seemingly haphazard tour of Europe, that leads her as much inward as it does out.

_______________________________________________

For the most part, this book is fun and engaging. Ginny, though unsure of herself isn’t your typical whiney, flagellating ball of angst. She’s got spunk down in there that the reader can see—even if it takes her a while to discover it herself.

The trip abroad is fun, if unrealistic, especially the large amount of time spent in England, at which point in the book I found myself reliving my study-abroad time at Oxford. In fact, at one point, I got off the train after reading it, got some take-out for dinner, and sat down at home to eat it, only to realize I had purchased curry and cider for myself…same thing that the characters were eating during my train ride.

However, once Jenny left England, the story went a little flat for me. The environments felt 2-dimensional, the characters somewhat stereotypical, and Ginny’s self-progress a little stunted. I wish there had been more description of people, sights, sounds, and things in the various countries. Ginny tended to enter places in a rush, hole up somewhere small, and stick there, venturing out only in sentences instead of excursions. The exception to that would be Paris, where the cafe described was unique, charming, and well-evoked, if impractical.

I also wasn’t totally satisfied with Ginny’s “growth” by the end. She did pull a bit of a whine-fest toward the final chapter, and I felt as frustrated as she was supposed to be. Also, the way in which she loses the last enveloped (and is thus tugged into a 2nd book) was slightly…convenient, but did manage to leave me wanting to know how it would conclude.

All in all, it was a quick, fun read that made me want to bolt off on a trek across the world.

. . . maybe someday I will.

 

Book Review: Birthmarked by Caragh M. O’Brien November 7, 2011

Publisher: Roaring Book Press
Release Date: March 30, 2010
Series: Birthmarked Trilogy
Age Group: solid YA (mild graphic violence/birth scenes)
Pages: 368
Rating: Idea 4.5★; Execution 4.5★
Genre: dystopia

★★★★1/2

Being a midwife is never an easy job—things happen, babies are stillborn, women bleed to death—but at least most of the time it goes well. Mother is reunited with the soft bundle she has loved and nurtured for 9 long months…and will for the rest of her life.

Unless, of course, you live outside the wall. There, conditions are harsh, and babies—like water—are rationed, a practice 16-year-old, brand-new midwife Gaia goes along with…because she must. That is, until her mother and father are suddenly taken prisoner, and Gaia finds she can no longer abide by the unjust laws of the Enclave. She must get them out, even if it costs her life.

Where they will go afterward, no one knows. The settlement has been carved from the arid, post-apocalyptic wasteland of (now) Unlake Superior—and it stretches almost beyond the reach of legend.

And then, of course, there’s the question of Leon and his dangerous interest in her. Yes, what on earth is to be done about Leon (and her smoldering interesting in him)…?
 
____________________________________________________________________________________________________
 

For starters, I enjoyed this book immensely, and I cannot wait to get my hands on Prized, the sequel—out tomorrow, Nov. 8.

I was hooked on page one, which drops the reader wholly and without hesitation or apology into an intense, visual, and rather daring (if you asked me) birth scene. My first thought was, Whoah!… and then Well, any book that starts with a jarring, evocative line like “the mother clenched her body into one final, straining push, and the baby slithered out into Gaia’s ready hands,” is bound to be taking chances elsewhere. And I like books that take chances.

I wasn’t disappointed.

(I ♥ the PBK cover.)

The setting for this book is unique—something like the 1st-century Middle East. At least, that’s how I envisioned the small, twisting streets, bright flowing garments, water cisterns, and stretching desert. And, it is incredibly well evoked. The artistry of the book really is in the details that are woven throughout. Well-placed flashbacks and everyday events illuminate and develop protagonist Gaia into not only an empathetic character, but an almost living, breathing entity one feels drawn…even compelled to follow under the wall and down the perilous streets of the Enclave—though it very well may cost you your life!! (Hyperbole, I know, but I was into it!)

The love interest, Leon, is singular (*handful of confetti*) and irresistibly compelling (*bag of confetti*), on account of which the ending—a cliffhanger, and normally a turn-off for me in series books—is really shocking, painful, thrilling, and, well, just excellent. (*confetti storm*)

Of course, this means that one (read: I) must acquire a copy of book 2 ASAP, or one (read: I) really might burst…but enough about that.

There was only one element I thought could have used “more,” and that was Gaia’s parents. Because of the circumstances of the plot, they were kind of glossed over/incidental, and dealt with rather abruptly at the end. Considering the obvious care taken throughout the rest of the book, I can’t help but wonder if that was a result of the story’s unexpected evolution from 1 volume to 3 (an anecdote O’Brien revealed at the Brooklyn book festival this September). As much as I usually begrudge the after-effects of a publisher-pushed sequel, however, I am equally (oh, who am I kidding? more) glad to be able to revisit Gaia and her world.

And, I have a sneaking suspicion it will turn out alright: the mastery really is in the writing—the style, the vocabulary, the excellent metaphors. Those elements, and a tight plot with elemental (detailed) integrity, set Birthmarked apart from others in the genre.
 
For another perspective on this title, check out my good friend Shanella’s review.

 

Series Review: Incarceron / Sapphique by Catherin Fisher November 4, 2011

Publisher: Dial
Release Date: January 26, 2010; December 28, 2010
Age Group: YA (utterly gratuitous mature language; mild graphic violence)
Pages: 448; 480
Rating: Idea 5★; Execution 2★
Genre: dystopia, sci-fi, & (some) fantasy with overtones of steampunk
 

★★1/2

Claudia lives in The Realm—a place where an Era of Victorianesque habit and aesthetic is enforced by a malevolent monarchy. She dreams only of escape from the life that has been planned for her. Her only solace is her tutor, Jared, who has been more of a father to her than her own morose parent, John Arlexa the Warden of Incarceron. At least she is Outside.

Inside, Finn lives, and has lived for the three long years of his life that he is able to remember. He, too, longs to Escape from the miserable existence within the great sentient, malevolent Prison to which he—and all others deemed undesirable or superfluous by the aristocracy—have been sentenced.

All too quickly, as age-old plots and schemes come to fruition, Finn and Claudia’s fates are thrust together. The future of both worlds, it seems, depends on their ability to unlock the secrets that lie deep within.
 

________________________________________________________________________________

 

As I tweeted the other night, I have rarely been as frustrated or disillusioned by a book or series as I was when I closed the cover on this one.

The idea is magnificent—something like The Matrix, something like The Scarlet Pimpernel, and still something like Mad Max and Blade Runner.

However, the idea’s execution in writing was deplorable, cheap, and utterly unsatisfying. You know how it was with Lost? Where the opening was fairly explosive and mysterious, but as the seasons dragged on it slowly became apparent that the writers had no long-term plan for the plot? No real ingenious answer to the mystery?

And everyone remained hopeful, despite being dragged on for eons by endlessly convenient twists, turns, and dramatic fluff, because they thought there surely would be some masterfully big reveal to tie it all together in the end?

★★1/2

Well, that was exactly my experience with these books, except without the hunky actors and special effects to tide a girl over. Full of fluff; unartful writing; and bad, see-through dialogue; impromptu/incongruous twists when the plot looked sure to dead-end; flat characters who neither were fully explained nor grew a millimeter over the course of 928 pages, and were often self-contradictory…

And, then, like the Lost finale, no questions answered. If anything, more were introduced, as if to cover the tracks of an MIA direction—yet again.
 
I am almost angry at myself for reading it. I knew at the end of Incarceron (bk. 1) that the execution was shoddy (I even tweeted my feelings), but was so curious about how the idea would come together that I convinced myself to keep going. I remained hopeful to the very end—past elements that didn’t really work in the world (the “Incarceron” beast; the “chain gang,” children born—as opposed to healed or reconstructed—with metal parts), or with the characters (Keiro’s fickleness; the Queen’s pseudo-evilness; the Warden’s loss of the key vs. the trio’s ability to keep the glove; the Prison’s simultaneous omnipotence and impotence, whichever suited the moment; etc), but were instead just convenient to the goose-chase of a plot.

I even clung on through the last few pages when things got really weird, and it seemed impossible that it could ever be satisfactorily pulled together, all the while thinking, Surely; surely no one would have published an idea this ambitious without a real, clever, mind-blowing ending.

This book has gotten lots of buzz. Taylor Lautner is starring in the movie, for goodness sake. Surely they wouldn’t…

But they did.

 
I think—if someone figures out how to salvage the plot/ending—it will be a truly wicked movie. But, as a book?

There are so many good, strong, dystopian/steampunk novels out there—The Hunger Games (bk 1), Birthmarked, Fever Crumb, etc. I would normally never do this—I am a book champion—but I suggest spending your reading time on the above and waiting to see Incarceron on screen.

 

Books, Authors, and Crazy, Crazy Fans October 31, 2011

 

The last month has been a whirlwind of book-related activity. High time I sat down to post about it!

First things first…

 
In reality, it all started back in February or March, when my good friend Shanella said, “Hey, you want to go to Hogwarts?” And I said, “Are you KIDDING? Of COURSE I do.”
 

There was only one small problem: we hadn’t received our invitation letters…yet.

We made our reservations and patiently waited. And waited. And waited.

 

With only 3 days to go, I realized we were going to have to take matters into our own hands. So, I found Dumbledore’s email address and sure enough, he said there had been an owl strike – something to do with Weasley’s Wildfire Whiz-bangs – and he had them faxed over straight away.

 

Since toting a faxed invitation around with us would have been totally lame, we had them put on t-shirts instead.

 

 

We were the coolest kids in school.

(No, seriously, 18 – or was it 16? – different people stopped us in the middle of the park to ask where we’d gotten them.
Others simply took pictures without our permission. It felt good to be popular.)

 

Hogwarts itself, however, was WAY cooler.
(If you don’t see the slide show below, you can click to go to my Hogwarts photo album instead.)

 

Vodpod videos no longer available.

 


 

 

Just before we left for Hogwarts, we went to see Maureen Johnson at Books of Wonder, which was downright awesome. It was the release of her new book The Name of the Star, a Jack the Ripper ghost story set in modern England. There were even 2 Jacks present. Spooky!

 

Maureen’s very fun in person…which one would probably gather from her not-in-person outlets, such as her Twitter @maureenjohnson. Check her out. You’ll see what I mean. If you’re familiar with the #yasaves hashtag, then you already know who I’m talking about. *wink*

 

 

(Sorry the pic is so grainy. I left my camera at home that day…and well, let’s just say my iPhone is a “circa babyboomers” gen.)

 

 

Finally, just last week there was the amazing Fantastic Fiction event at the self-same Books of Wonder  (best bookstore in the city!), starring authors Scott Westerfeld, Maryrose Wood, Jeff Hirsch, Sarah Beth Durst, Jon Skovron, Gabrielle Zevin, and Alison Goodman.

 

I snagged copies of Westerfeld’s and Hirsch’s books, and then some photo ops with the gents while they were signing.

 

 

 

 

Lost in conversation with Scott (sorry, may I call you Scott?), I failed to noticed that Shanella was trying to get my attention and take a picture.
 
Thankfully, she was persistent.
 

 

Only bad thing about going to these AWESOME author events?
TBR list now has 3 new additions . . .

 

Up next: Halloween, YA Lit style. (Hint: think ultramarine)

 

 
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