Titles: City of Bones, City of Ashes, and City of Glass
Release Dates: July 2, 2007; March 25, 2008; March 24, 2009
Publisher: Margaret K. McElderry
Series: The Mortal Instruments
Rating: Idea 3★; Execution 2★

★★1/2

Clary lives as normal and uncomplicated a life as anyone can in NYC—bohemian mom, quiet best friend Simon, father-like family friend Luke… There is nothing more to Clary’s world than the everyday—until reality comes crashing through the thin veil of her mind late one night in a sketch downtown club. One glimpse and Clary’s mundane life becomes utterly complex: mother’s missing; Simon’s hopelessly in love with her; angels exist, so do demons, werewolves, and vampires (aka “downworlders”); and the only person who seems to know what’s going on is the single most arrogant, cold, and freakishly HOT guy Clary has ever seen. His name is Jace, and he calls himself a Nephalim—half human, half angel.

Before she can even remember to object, Clary is thrown headlong into a serious interspecies conflict led by a rogue Nephalim—Valentine—whose very name inspires the shivers. As the whole shadow world struggles to decide whether to combine forces and stop Valentine from claiming the 3 powerful Mortal Instruments or to give in and allow him to fulfill his diabolical plans, it slowly becomes apparent that Clary is the unsuspecting lynchpin.

In order to stop him, she must face a host of challenges—physical, psychological, and romantic—before confronting the ultimate choice to sacrifice what matters to her most, or live with the devastating consequences.

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**—Spoiler Alert—**

(I won’t give away whole storylines, but will hint at things that aren’t revealed until bk 3.)

I knew that sooner or later it’d have to come along: my first negative review. However, please bear in mind that I’m not saying not to read these books. Though I got frustrated and sometimes put them down (for the reasons outlined below), I wouldn’t have not finished them. Hence the 3 stars (where I was tempted to give 2). I don’t think that I will pick up the new *surprise* book 4, City of Fallen Angels though…and I don’t really think back on the ones I did read…at all.

That’s because this trilogy falls firmly into the group I’d call “cotton candy”: look pretty, smell pretty, melt in your mouth and are gone. They are, seemingly without remorse, a very cheap thrill—a la Twilight & Co.—and for that reason, very hard to put down. I found myself alternatively groaning with gusto and sighing with teen fever.

If you’re interested to know the details of why I wasn’t so keen on them, keep reading. If not, skip to the next set of stars.

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In particular, these 4 things bothered me:

1) Simon. Love triangles are common enough that I’ve devoted an entire category to them here. But, some are achieved more or less annoyingly than others. This was not in that group. Simon, Clary’s friend-turned-gaggy-crush, doesn’t stand a chance—he’s a clear 2^nd best to the cold, heroic heartthrob, Jace. Although, there is one “turn off” about Jace that is supposed to make us doubt his destiny to be with Clary, it was so un-deftly played that I never bit. As a result, Simon ended up looking even dorkier than intended, and, well, just grated on my every last nerve.

2) Incessant Foreshadowing. A literary device full of potential, it became something of a dead horse in these books. I knew the answers to the “burning” questions (and was 100% confident about them) some 500 pages before they were answered. This was, in part, because the narrative was a little too transparent, but also partly because the author spent so much energy trying to keep the questions burning that she smoked the answers out. I like a little more cleverness to my mysteries—otherwise, what motivation do you have to keep reading a not-particularly-well-written 1500-page series?

3) Reckless Manslaughter. Like George in HP, a sibling of a supporting character dies in the final book. However, this series wasn’t brave about it: the character is so minor to the plot as to be useless; its removal more of a hiccup than heartstop—and the motive such an obvious attempt at evoking pathos that I almost laughed…then got angry (see Tweet proof). The poor kid’s role—who, unlike George, we never get to know and love—is reduced to something like a cute puppy who gets bopped on the head to make softhearted girls go “awww!” Truly, this piece of the narrative was ridiculously clumsily pulled off (enough to deserve two –ly adverbs!). If the writing’s good, it will evoke tears through its art—not by stabbing the reader in the hand with a fork.

4) Clamoring Clichés…and a lot of familiar motifs. There is a chunkton of rather unoriginal material in this series. I don’t necessarily mean the demon/angel/etc lore—but in actual motifs of the storyline. (Those spoilers I told you about hit most here.)

• Brother-sister a(ttra)ction (Starwars)
• Sociopathic, racist villain whose name begins with “V”—every mention of which name strikes fear—whom the adults of the book went to school with and knew as a “less than purely evil young man,” and who plans the purification of the world from inferior races by means of 3 magical artifacts…(Need I go on? Of course, I do mean Voldemort.)
• A triumvirate of mystical objects, which, when combined, achieve world-changing ends. (Harry Potter series; His Dark Materials trilogy)
• Heroine who has the power to write or read magical runes/glyphs/letters that alter reality. (the Dreamdark series; His Dark Materials trilogy)
• Protagonist who discovers they have a powerful parent they’ve never known when they go off to a haven for their “like kind.” (Percy Jackson series; His Dark Materials trilogy; Fever Crumb series)
• Heroine who is small/weak, and needs protecting by the tall, cold, quiet heartthrob. (Twilight series)
• Tall, cold, quiet heartthrob with burning golden eyes and slightly jealous siblings. (Twilight series)
• World with a somewhat malevolent group of special-powered rulers, sitting in a remote European corner of the globe, unbeknownst to the rest of society. (Twilight series; Harry Potter Series; Percy Jackson series; Vampire Academy series…)
• Death of a supporting character’s sibling. (Harry Potter series)
• Etc.

Now, I’m not saying I believe much (if any) of our contemporary literature can claim full originality—it’s just not possible, nor would it be much fun. The art of storytelling for the entire history of man has coincided with the art of borrowing. (That was, actually, my masters thesis in a nutshell.) And, J. K. Rowling is a primary example—her work is a virtual collage of borrowed mythic and literary artifacts. However, her story is also extraordinarily complex and subtly original in its own right. The Mortal Instruments books, however, don’t have the same complexity by far, and thus their recycling comes across as rather obvious and forced than intriguing, clever, or allusive.

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All in all, if you are looking for an easy, fast, rollercoaster ride through romantic conflict and paranormalcy, I do recommend this trilogy. The love story (and hunka-hunka hero) was enough to pull me through. And, pull me it did, I must admit. I was dying to know what happened to Clary and Jace at the end (…even though I already knew…). But, if you find yourself groaning at the obsessive hint-dropping, see-through emotional triggers, and overall mundaneness of style, don’t say I didn’t warn you.

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(P.S. They are making this into a movie…about which I was excited, until I heard that they had cast Jamie Campbell Bower as Jace.

Nothing in particular against him, but he just DOES NOT fit my image of Jace. Not substantial enough. Not symmetrical enough. Overall? Just not HOT enough to be Jace! (Sorry, Bonnie! It’s just true.)

(If you’ve ever seen him in the Camelot series, you know what I mean…)